A General Overview Of A Business Plan For A Small Business - 275 Words

A General Overview Of A Business Plan For A Small Business (Essay Sample) Content: Business plan overviewSole proprietorshipA scenario of a small business like snack businessLiability (Ability to raise capital)The sole proprietor is the sole provider of the business and therefore the owner is the one responsible for paying all the debts of the organization. Moreover the owner could be sued by his workers and consumers. Small business tends to have less debts and easy to pay together with the less number of workers which makes it favorable for such type of organization.Ability to raise capitalThe capital is raised by the sole ownerTransfer of ownership and life.In the type of the ownership the business and the person are treated as one and the same hence the business will be liquidated or terminated once the owner is dead. Moreover, the business is transferable which means all the rights, owner, and business information changes.PartnershipLiabilityIndividual members in the partnership are liable to the losses and violation in the businesses. There is no protection of members in the partnership.Ability to raise fundsThe funds are raised by the partners involved.Transfer of ownershipPartnership is owned by a number of owners and the transfer involves changing of the pa...

T.S. Eliot and His Objective Correlative Versus Shakespeare - Literature Essay Samples

T.S. Eliots famous poem The Love Song of J. Alfred Prufrock shares many correlating themes with William Shakespeares Hamlet. Despite their evident similarities in style, Eliot criticizes Shakespeares Hamlet in his essay Hamlet and His Problems, calling it a problem which proved too much for him (Eliot,184). Eliot said that the main theme, the effect of a mothers guilt upon her son, was a failure because Hamlets feelings were too strong to be stirred solely by his mother. Eliot called his own idea of having to have a set of objects, a situation, or a chain of events, be the formula for a particular emotion, objective correlative. The artistic inevitability lies in this complete adequacy of the external to the emotion; and this is precisely what is deficient in Hamlet (Eliot,183). Hamlet is dominated by an emotion which is inexpressible, because it is in excess of the facts as they appear (Eliot,183). Although he claims that Shakespeares inability to fulfill the criterion of objective correlative ruins Hamlet, Eliots own piece of work fails to meet this same standard. In trying to make his argument, Eliots criticisms of Hamlet actually further connect it to his own writing, confounding his intentions. The inability to meet the objective correlative is just another characteristic, along with the themes of the effects of paralysis, a diseased world and Hell, existentialism, and death, that Hamlet and The Love Song of J. Alfred Prufrock have in common.Hamlet is a paragon of paralysis. He is an extremely intelligent and analytical character. He constantly seeks answers for situations but in his search he produces more questions than answers. The combination of his natural proneness to anxiety and his perception of mankinds limitations stall his action. Hamlet is paralyzed by the discovery of his mothers sexual nature as well as his fathers murder at the beginning of the play. His decisiveness is further hindered when he realizes that avenging his fathers murder could have a severe impact not only on his own soul, but also on those closest to him and even the state of Denmark.The main character of The Love Song of J. Alfred Prufrock, Prufrock, shares many characteristics with Hamlet. He is sharp and self-doubting to such an extreme that it inhibits his actions. His paralysis is contemporary, its sources being both sexual and social anxieties. Prufrock is a modern tragic hero because his concerns are real yet pathetic. His problems solely affect him, unlike societies traditional tragic heroes whose actions affect justice and multitudes of people. Prufrock is quick to admit his difference from the traditional tragic hero Hamlet, I am not Prince Hamlet, nor was meant to be (111). He does not carry the burden of influence that Prince Hamlet does. Despite their deviant concerns and altered tragic hero classifications, Prufrock and Hamlet are both plagued by an inability to act.The presence of the ghost in Hamlet is a supernatural omen pointing out th at something is rotten in the state of Denmark (I.iv.90). Following his encounter with his fathers ghost, Hamlet becomes increasingly aware of the affect of Claudiuss moral corruption on Denmark. Hamlet depicts the earth as a quintessence of dust and a foul and pestilent congregation of vapors (II.ii.288). His description of the world as a prison, a goodly one, in which there are many confines, wards, and dungeons, Denmark being one othworst(II.ii.38), conveys his feelings of entrapment on earth. He longs for death to end his suffering but his fear of Hell prevents his suicide. He is forced to endure the pain of life so he doesnt have to suffer for eternity. Hamlet concludes in his famous to be or not to be (III.i.60) soliloquy that no one would choose to withstand the pain of life if they were not afraid of what followed death.Like Hamlet, Prufrock hates the world as he sees it. Prufrock lives in a fragmented, barren world. His description of the city where he is from illustrates i ts sterility, streets that follow like a tedious argument (8) and lonely men in shirt-sleeves, leaning out of windows (72). The skyline is, like a patient etherized upon a table (3) and yellow smoke that rubs its muzzle on the windowpanes (17) fills the air. He uses these descriptions to express the absence of God in the world and implausible resurrection. His travels take the reader on a downward ride from the skyline all the way to the ocean floor, each descent stirring more painful emotions. Prufrock hints through a series of images that what comes after death will be worse, echoing Hamlets fear of damnation.The disarray of Hamlets surroundings eventually lead him to develop an existentialist view of the world even though he retains his Christian beliefs.What a piece of work is a man, how noble in reason, how infinite in faculties, in form and moving, how express and admirable in action, how like an angel in apprehension, how like a god: the beauty of the world, the paragon of an imals. And yet to me, what is this quintessence of dust? Man delights not me, yet to me, what is this quintessence of dust? (II.ii.288)In this scene he creates a glorified picture of the earth and humans and then diminishes their value. He does this to generate a sense of the great gap between what appears to be and what really is. He becomes conscious of this gap when his seeming virtuous queen (I.v.46) mothers sensual nature is revealed.Like Hamlets, Prufrocks environment is unbearable to him. He looses all faith in the existence of God due to the extent of his disgust. Sexuality plays a significant role in the lifestyle of this society but it does not provide renewal. Instead of having relationships based on emotional connections people choose to spend restless nights in one-night cheap hotels(6). Even the shy, self-doubting Prufrock takes part in these sensually driven affairs. And I have known the arms already, known them all-/ Arms that are braceleted and white and bare / (But in the lamplight, downed with light brown hair!)(62-64). Gods absence in Prufrocks world causes him to embrace the physical aspects of life.Hamlet becomes obsessed with the idea of death after his fathers murder. The inevitability of death fascinates him. He often makes comments referring to every humans eventual death and decay. We fat all creatures else to fat us, and we fat ourselves for maggots. Your fat king and your lean beggar is but variable service two dishes, but to one table (IV.iii.21). Hamlet delivers this address to the king shortly after the murder of Polonius to describe the balancing effect of death. Death brings the equality of all people for worms take no notice of the status of their meal. Hamlets discovery of Yoricks skull further illustrates his fascination of the physicality of death. Here hung those lips that I have kissed I know not how oft (V.i.162).Prufrock has an intense anxiety of aging and death. He creates a delusion that he has plenty of time left. He repeatedly reassures himself that indeed there will be time (23). Nevertheless, he is extremely self-conscious about his signs of aging. With a bald spot in the middle of my hair (They will say: How his hair is growing thin!) (40-41). Prufrocks awareness of his bald spot is much like Hamlets fascination with Yoricks skull, it is his physical reminder that death is eminent.Hamlet and The Love Song of J. Alfred Prufrock both fail to fulfill the objective correlative. T.S. Eliot is correct that Hamlets discovery of his mothers true nature is not significant enough to meet the objective correlative. At no point in the play is a reason that can account for Hamlets passionate behavior revealed. Neither can the main theme of Prufrock, the hopelessness and sterility of the modern world, be accounted for by any single object in the poem. Yet, both pieces of writing make sense and effectively convey the authors themes. How can this be when according to Eliot, the only way of expressing em otion in the form of art is by finding an objective correlative (Eliot,183)? The bottom line is that objective correlative cannot work in all cases. It is an interesting, but flawed idea. Every emotion cannot be linked to a set of objects, a situation, or a chain of events because the human mind is boundless; it would be impossible to find a specific cause for every thought and feeling. Both parallel themes and this insufficiency of Eliots objective correlative are what tie Hamlet and The Love Song of J. Alfred Prufrock together.Works CitedEliot, T.S. Hamlet and His Problems. Hamlet, A Norton Critical Edition. New York: W.W. Norton Company, Inc., 1992.Eliot, T.S. The Love Song of J. Alfred Prufrock. London, 1917.Shakespeare, William. Hamlet, A Norton Critical Edition. New York: W.W. Norton Company, Inc., 1992.